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		<title>Author Interviews</title>
		<link>http://www.cup.columbia.edu/main/AuthorInterviews.html</link>
		<description>Author Interviews</description>

		
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			<title>The Measure of America</title>
			<link>http://www.cup.columbia.edu/book/978-0-231-15494-9/the-measure-of-america</link>
			<description>&lt;li&gt;Listen to an interview with the authors on &lt;a href="http://www.thetakeaway.org/archives/2008/07/18/4"&gt;The Take Away&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Download a &lt;a href="http://www.cup.columbia.edu/media/3878/measure-of-america-final.mp3"&gt;podcast interview&lt;/a&gt; with the authors&lt;br /&gt;
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			<title>Dogs</title>
			<link>http://www.cup.columbia.edu/book/978-0-231-13528-3/dogs</link>
			<description>&lt;a href="http://cup.columbia.edu/static/interview-wang-xiaoming"&gt;Read an interview with Xiaoming Wang.&lt;/a&gt;</description>
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			<title>Shivers Down Your Spine</title>
			<link>http://www.cup.columbia.edu/book/978-0-231-12988-6/shivers-down-your-spine</link>
			<description>&amp;quot;We get 'shivers down our spine' because there&amp;rsquo;s a disjunct between what we see and feel and what we know is happening to us.&amp;nbsp; Giant panoramic paintings ... can take your breath way not only because you feel as if you&amp;rsquo;ve suddenly walked into the world of the paintings (you are enveloped by it), but because it&amp;rsquo;s an embodied experience which can give you shivers, tears, and sometimes vertigo or nausea.&amp;nbsp; It&amp;rsquo;s that jaw-dropping sense of awe, reverence, and perhaps a little fear that makes the comparison to the horror film fitting.&amp;quot;&lt;br /&gt;
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&lt;a href="http://cup.columbia.edu/static/interview-griffiths-alison"&gt;Read more from the interview with Alison Griffiths...&lt;/a&gt;</description>
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			<title>Animals as Persons</title>
			<link>http://www.cup.columbia.edu/book/978-0-231-13950-2/animals-as-persons</link>
			<description>&amp;quot;Our thinking about animals is very confused. On one hand, we claim to regard animals as members of the moral community. We claim to embrace a moral and legal obligation not to inflict &amp;ldquo;unnecessary&amp;rdquo; suffering or death on animals. We can, of course, debate the meaning of &amp;ldquo;necessity,&amp;rdquo; but &lt;em&gt;whatever&lt;/em&gt; it means, it must rule out suffering and death imposed for reasons of human pleasure, amusement, or convenience. If it does not do so, then the exception would completely swallow the moral rule.&amp;quot;&lt;br /&gt;
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Read more from the &lt;a href="http://cup.columbia.edu/static/interview-gary-francione"&gt;interview with Gary Francione...&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Listen to an interview with Francione from Vegan Freak Radio: &lt;a href="http://veganfreakradio.com/index.php?id=141"&gt;part 1&lt;/a&gt; | &lt;a href="http://veganfreakradio.com/index.php?id=143"&gt;part 2&lt;/a&gt;</description>
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			<title>Kitchen Mysteries</title>
			<link>http://www.cup.columbia.edu/book/978-0-231-14170-3/kitchen-mysteries</link>
			<description>Read an interview with Herv&amp;eacute; This from the &lt;a href="http://www.theglobeandmail.com/servlet/story/RTGAM.20080507.wlherve07/BNStory/lifeFoodWine/home"&gt;Toronto Globe and Mail&lt;/a&gt;.&lt;br /&gt;</description>
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			<title>The Hermeneutic Nature of Analytic Philosophy</title>
			<link>http://www.cup.columbia.edu/book/978-0-231-14388-2/the-hermeneutic-nature-of-analytic-philosophy</link>
			<description>&amp;quot;A study on Tugendhat is necessary ... because it demonstrates that the analytical/continental division does not condition philosophy anymore. &amp;quot;&lt;br /&gt;
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Read more from the interview with &lt;a href="/static/Zabala-Santiago-interview"&gt;Santiago Zabala&lt;/a&gt;.&lt;br /&gt;</description>
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			<title>There a Petal Silently Falls</title>
			<link>http://www.cup.columbia.edu/book/978-0-231-14296-0/there-a-petal-silently-falls</link>
			<description>&amp;quot;One needs a unique language and form to depict a changing world, and in this sense a work's world-view creates its own form. I prefer to describe this process not as an experiment but as the pursuit of a different factuality. If you're going to change the world, how are you going to do it through conventional methods and language?&amp;quot;&lt;br /&gt;
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Read more from the &lt;a href="/static/Ch'oe-Yun-Interview"&gt;interview with Ch'oe Yun&lt;/a&gt;.</description>
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			<title>When Principles Pay</title>
			<link>http://www.cup.columbia.edu/book/978-0-231-14400-1/when-principles-pay</link>
			<description>Read an interview with Geoffrey Heal from &lt;a href="http://www4.gsb.columbia.edu/ideasatwork/feature?&amp;amp;global.now=&amp;amp;main.id=134242&amp;amp;main.ctrl=contentmgr.detail&amp;amp;main.view=articlesb.detail"&gt;Ideas at Work&lt;/a&gt;.</description>
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			<title>In Love and Struggle</title>
			<link>http://www.cup.columbia.edu/book/978-0-231-13792-8/in-love-and-struggle</link>
			<description>&amp;quot;Feminist correspondences since the 1970s reveal changes in gender roles and  self-perception in quite an extraordinary way. Though few have remarked upon the  stories hidden in this humble form of life writing, letters can tell us the  relationship histories of a generation at the forefront of social change.&amp;quot;&lt;br /&gt;
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&lt;a href="/static/jolly-margaretta-interview"&gt;Read more from the interview with Margaretta Jolly.&lt;/a&gt;</description>
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			<title>Klezmer America</title>
			<link>http://www.cup.columbia.edu/book/978-0-231-14278-6/klezmer-america</link>
			<description>&lt;strong&gt;Q: But even Madonna is into Kaballah!&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;JF:&lt;/strong&gt; Exactly, which is to say that maybe the process that the book has been treating, the klezmering of America&amp;mdash;the tendency for Jewish themes, materials, and imaginative production to supply a model for new ethnic dispensation across the board&amp;mdash;has been going on deeper and more intensely than I reckoned when I started the book....&lt;br /&gt;
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&lt;a href="/static/freedman-jonathan-interview-klezmer-america"&gt;Read more from the interview with Jonathan Freedman.&lt;/a&gt;</description>
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