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African Film and Literature: Adapting Violence to the Screen

Lindiwe Dovey

Paper, 360 pages, 174 color images, and 4 more for the cover
ISBN: 978-0-231-14755-2
$32.50 / £22.50

April, 2009
Cloth, 360 pages, 174 color images, and 4 more for the cover
ISBN: 978-0-231-14754-5
$89.50 / £62.00


List of Film Stills

Preface

Acknowledgments

Abbreviations

Introduction: "African Cinema": Problems and Possibilities

1. Cinema and Violence in South Africa

2. Fools and Victims: Adapting Rationalized Rape into Feminist Film

3. Redeeming Features: Screening HIV/AIDS, Screening Out Rape in Gavin Hood's Tsotsi

4. From Black and White to "Coloured": Racial Identity in 1950s and 1990s South Africa in Two Versions of A Walk in the Night

5. Audio-visualizing "Invisible" Violence: Remaking and Reinventing Cry, the Beloved Country

6. Cinema and Violence in Francophone West Africa

7. Losing the Plot, Restoring the Lost Chapter: Aristotle in Cameroon

8. African Incar(me)nation: Joseph Ga‹ Ramaka's Karmen Ge‹ (2001)

9. Humanizing the Old Testament's Origins, Historicizing Genocide's Origins: Cheick Oumar Sissoko's La GenŠse (1999)

Conclusion

Notes

Filmography

Bibliography

Index

Related Subjects


Series


About the Author

Lindiwe Dovey is lecturer in African film and performance arts at the School of Oriental and African Studies, University of London. She holds a BA Honors degree from Harvard University and a Ph.D. from the University of Cambridge. She is the founding director of the Cambridge African Film Festival and has made both documentary and fiction films.

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