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Music at the Limits

Edward W. Said

Paper, 344 pages,
ISBN: 978-0-231-13937-3
$22.50

November, 2007
Cloth, 344 pages,
ISBN: 978-0-231-13936-6
$29.95


Foreword

Preface

Acknowledgments

Part I: The Eighties

1. The Music Itself: Glenn Gould?s Contrapuntal Vision

2. Remembrances of Things Played: Presence and Memory in the Pianist's Art

3. Pomp and Circumstance (on Musical Festivals)

4. On Richard Strauss

5. Die Walkre, Aida, X

6. Music and Feminism

7. Maestro for the Masses (review of Understanding Toscanini)

8. Middle Age and Performers

9. The Vienna Philharmonic: The Complete Beethoven Symphonies and Concertos

10. The Barber of Seville, Don Giovanni

11. Glenn Gould at the Metropolitan Museum

12. Giulio Cesare

13. Bluebeard's Castle, Erwartung

14. Extreme Occasions (on Celibidache)

15. Peter Sellars's Mozart

16. Andras Schiff at Carnegie Hall

Part II: The Nineties

17. Richard Strauss

18. Wagner and the Met?s Ring

19. Opera Productions (Der Rosenkavalier, House of the Dead, Doctor Faust)

20. Style and Stylessness (Elektra, Semiramide, Katya Kabanova)

21. Alfred Brendel: Words for Music (review of Alfred Brendel's Music Sounded Out: Essays, Lectures, Interviews, Afterthoughts)

22. Die Tote Stadt, Fidelio, The Death of Klinghoffer

23. Uncertainties of Style (The Ghosts of Versailles, Die Soldaten)

24. Musical Retrospection

25. The Bard Festival

26. The Importance of Being Unfaithful to Wagner

27. Music as Gesture (on Solti)

28. Les Troyens

29.Child's Play (review of Maynard Solomon's Mozart: A Life)

30. 32 Short Films About Glenn Gould

31. Bach's Genius, Schumann's Eccentricity, Chopin's Ruthlessness, Rosen's Gift (review of Charles Rosen's The Romantic Generation)

32. Why Listen to Boulez?

33. Hindemith and Mozart

34. Review of Michael Tanner's Wagner

35. In the Chair (review of Peter Ostwald's Glenn Gould and the Tragedy of Genius)

36. On Fidelio

37. Music and Spectacle (La Cenerentola and The Rake's Progress)

38. Review of Gottfried Wagner's He Who Does Not Howl with the Wolf: The Wagner Legacy—An Autobiography

39. Bach for the Masses

Part III: 2000 and Beyond

40. Daniel Barenboim (Bonding Across Cultural Boundaries)

41. Glenn Gould, the Virtuoso as Intellectual

42. Cosmic Ambition (review of Christoph Wolff's Johann Sebastian Bach: The Learned Musician)

43. Barenboim and the Wagner Taboo

44. Untimely Meditations (review of Maynard Solomon's Late Beethoven)

Appendix: Bach/Beethoven

Index

Related Subjects


Series


About the Author

Edward W. Said (1935-2003) was University Professor of English and Comparative Literature at Columbia University. He was the music critic for the Nation and the author of numerous books, including Out of Place, Culture and Imperialism, and Orientalism. His books with Columbia University Press include Joseph Conrad and the Fiction of Autobiography, Humanism and Democratic Criticism, Beginnings: Intention and Method, and Musical Elaborations.

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